There are just too many screenplays and TV pilots out there.
Unfortunately, not every screenplay can or will be read by every major decision-maker in the film and television industry - it’s impossible.Īnd even when your scripts go through the Hollywood filtration system of script coverage, where script readers (professional readers, assistants, and interns) are tasked with reading incoming submissions, not every coverage synopsis of those screenplays can be read either. It is the core of your concept, and the introduction of the character arc your protagonist(s) will face. Those 25-50 words found within your logline encapsulate what you - the screenwriter - are trying to sell to production companies, studios, networks, and streamers. Loglines hold much power in Hollywood because they represent the first contact an agent, manager, development executive, producer, director, and actor has with a screenplay that is under consideration.
SCRIPT LOGLINE EXAMPLES SERIES
It’s a subtle difference, but one that can significantly benefit the logline of your TV series pitch.īefore we dive in, be sure to mark your calendar for the upcoming deadline for our ScreenCraft TV Pilot Screenplay Competition. Is there a difference between writing a logline for a feature screenplay and crafting one for a television series?
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